A Review of the History of Live Shows Projected in Movie Theatres - Text 3
Hollywood, in the end, with the notable exception of Fox, which until the 1960s would pursue its experiments with projection technology acquired from a Swiss laboratory (Eidophor), would abandon live tele-transmitted non-film content for collective audiences in favour of more spectacular and immediately profitable innovations such as CinemaScope. But this turn would not signal the end either of tele-transmissions or of technological innovation, which would continue in the decades to follow. For the idea of a “projector without film” making it possible both to simplify the task of programming and to reach other audiences among followers of sports, theatre, opera and classical television continued to appeal to exhibitors.
Document type (medium)
Born-digital text
Author
Contributor
Demay, Marie-Odile (parcours editor)
Publisher
TECHNÈS
Date available
2022
Language
en
Format
text/html
Rights
© TECHNÈS, 2022. Some rights reserved.
License
Identifier
ark:/17444/855035/4452
Record last modification date
2022-06-27
2023-02-21
